The Blackmagic URSA Broadcast G2 is an incredibly powerful and flexible broadcast camera built for both traditional television production and modern online streaming. Its unique \u201c3 cameras in 1\u201d design lets it work as a 4K production camera<\/strong>, a 4K studio camera<\/strong>, or a 6K digital film camera<\/strong> \u2014 all in one system.<\/p>\n URSA Broadcast G2 supports recording to SD, UHS-II, CFast 2.0<\/strong>, or external USB-C drives<\/strong> using professional formats including H.265<\/strong>, ProRes<\/strong>, and Blackmagic RAW<\/strong>. It also supports interchangeable lens mounts<\/strong> with a B4 2\/3″ mount installed<\/strong> and an active EF mount included<\/strong>, making it ideal for live broadcast, studio work, ENG, events, education, and cinematic production workflows.<\/p>\n With 13 stops of dynamic range<\/strong>, dual native ISO (0dB and 18dB gain)<\/strong>, built-in ND filters<\/strong>, and professional connectivity such as 12G-SDI<\/strong>, XLR audio with phantom power<\/strong>, timecode\/reference<\/strong>, and LANC control<\/strong>, URSA Broadcast G2 is designed for serious production crews that need reliability, flexibility, and a modern broadcast workflow.<\/p>\n It also supports direct live streaming<\/strong> using SRT<\/strong> and RTMP<\/strong> in H.264 via USB-C tethering or USB-C to Ethernet, making it ready for live content delivery without requiring an external encoder.<\/p>\n \n\u2022 3-in-1 design: 4K production, 4K studio, or 6K digital film camera \u2022 Effective Sensor Size:<\/strong> 2\/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm) \u2022 Built-in ND Filters:<\/strong> Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters \u2022 Screen Dimensions:<\/strong> 4 inch \u2022 ProRes Resolutions & Frame Rates:<\/strong> 3840 x 2160 (Ultra HD) up to 60 fps (from Ultra HD window or scaled from 5.3K windowed sensor); 3840 x 2160 up to 50 fps (scaled from full sensor); 1920 x 1080 (HD) up to 120 fps (scaled from 2.7K windowed sensor); 1920 x 1080 up to 60 fps (scaled from Ultra HD or 5.3K windowed sensor); 1920 x 1080 up to 50 fps (scaled from full sensor) \u2022 Project Frame Rates:<\/strong> 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps \u2022 Metadata Support:<\/strong> Automatically populated lens data from electronic B4 lenses; Automatic recording of camera settings and slate data (project, scene number, take and special notes) \u2022 SDI Video Inputs:<\/strong> 1 \u2022 Analog Audio Inputs:<\/strong> 2 x XLR switchable between mic, line and AES digital audio; Phantom power support \u2022 Microphone:<\/strong> Integrated stereo microphone \u2022 Streaming:<\/strong> Direct streaming via SRT and RTMP in H.264 using USB-C phone tethering or USB-C to Ethernet \u2022 HD Video Standards:<\/strong> 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60; 1080i50, 1080i59.94, 1080i60 \u2022 Media:<\/strong> 2 x CFast 2.0 card slots; 2 x SD UHS-II card slots; 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media \u2022 Supported Codecs:<\/strong> Apple ProRes 422 HQ; Apple ProRes 422; H.265 SDI (10-bit 4:2:2); H.265 High\/Medium\/Low (10-bit 4:2:0); H.264 SDI (10-bit 4:2:2); H.264 High\/Medium\/Low (8-bit 4:2:0); Blackmagic RAW CBR 3:1\/5:1\/8:1\/12:1; Blackmagic RAW CQ Q0\/Q1\/Q3\/Q5<\/p>\n \u2022 External Control:<\/strong> Blackmagic Zoom Demand and Focus Demand; Blackmagic SDI Control Protocol; iPad control via Bluetooth; 2.5mm LANC for lens and record control \u2022 Storage Type:<\/strong> 2 x CFast 2.0; 2 x SD UHS-II; 1 x high speed USB-C expansion port; 2.5 inch SSD using optional URSA Mini Recorder \u2022 Storage Rates (30 fps):<\/strong> 6K (6144 x 3456) BRAW 3:1 323 MB\/s; 5:1 194 MB\/s; 8:1 121 MB\/s; 12:1 81 MB\/s; Q0 242\u2013483 MB\/s; Q1 162\u2013387 MB\/s; Q3 108\u2013277 MB\/s; Q5 65\u2013162 MB\/s \u2022 Storage Rates (30 fps):<\/strong> Ultra HD (3840 x 2160) ProRes 422 HQ 110 MB\/s; ProRes 422 73.6 MB\/s; H.265 SDI 12.3 MB\/s; H.265 High 10.8 MB\/s; H.265 Medium 7.8 MB\/s; H.265 Low 3.2 MB\/s; BRAW 3:1 127 MB\/s; 5:1 77 MB\/s; 8:1 48 MB\/s; 12:1 32 MB\/s; Q0 96\u2013190 MB\/s; Q1 64\u2013153 MB\/s; Q3 43\u2013109 MB\/s; Q5 26\u201364 MB\/s<\/p>\n \u2022 Storage Rates (30 fps):<\/strong> HD (1920 x 1080) ProRes 422 HQ 27.5 MB\/s; ProRes 422 18.4 MB\/s; H.264 SDI 7.0 MB\/s; H.264 High 5.6 MB\/s; H.264 Medium 3.2 MB\/s; H.264 Low 1.8 MB\/s; BRAW 3:1 19 MB\/s; 5:1 12 MB\/s; 8:1 7.8 MB\/s; 12:1 5.2 MB\/s; Q0 23\u201347 MB\/s; Q1 16\u201337 MB\/s; Q3 10\u201327 MB\/s; Q5 6\u201316 MB\/s<\/p>\n \u2022 Recording Formats:<\/strong> ProRes (3840 x 2160 and 1920 x 1080) with film\/video\/extended video DR or custom 3D LUT; H.265 (3840 x 2160) with film\/video\/extended video DR or custom 3D LUT; H.264 (1920 x 1080) with film\/video\/extended video DR or custom 3D LUT; Blackmagic RAW (Q0\/Q1\/Q3\/Q5, 3:1\/5:1\/8:1\/12:1) at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 (12-bit non-linear) with film DR and extended video\/video or custom 3D LUT embedded in metadata<\/p>\n \u2022 Software Included:<\/strong> Blackmagic OS; DaVinci Resolve Studio (activation key); Blackmagic Camera Setup; Blackmagic RAW Player; Blackmagic RAW QuickLook Plugin; Blackmagic RAW SDK; Blackmagic RAW Speed Test \u2022 Operating Systems:<\/strong> Mac 13.0 Ventura; Mac 14.0 Sonoma or later; Windows 10 and 11<\/p>\n \u2022 Power Supply:<\/strong> 1 x External 12V DC 100W power supply with 100 – 240V AC 50\/60Hz IEC C14 input \u2022 Operating Temperature:<\/strong> 0\u00b0 to 40\u00b0C (32\u00b0 to 104\u00b0F) \u2022 3-in-1 broadcast camera: 4K production, 4K studio, or 6K digital film
\nKey Features<\/h4>\n
\n\u2022 13 stops dynamic range with dual native ISO (0dB \/ 18dB gain)
\n\u2022 Records to SD\/UHS-II, CFast 2.0, or external USB-C drives
\n\u2022 Codecs: H.265, ProRes, H.264, and Blackmagic RAW
\n\u2022 Interchangeable mounts: B4 installed + Active EF mount included
\n\u2022 Built-in ND filter wheel: Clear, 2-stop, 4-stop, 6-stop
\n\u2022 Professional I\/O: 12G-SDI, XLR audio w\/ phantom, timecode & reference sync
\n\u2022 Direct live streaming via SRT\/RTMP (H.264)\n<\/p>\n
\n\u2022 Lens Mount:<\/strong> B4 2\/3 inch installed; Active EF mount also included
\n\u2022 Lens Control:<\/strong> Electronic control via 12-pin broadcast connector; Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses
\n\u2022 Lens Correction:<\/strong> In-camera correction of color fringing when using compatible broadcast lenses
\n\u2022 Dynamic Range:<\/strong> 13 Stops
\n\u2022 Dual Native ISO:<\/strong> 0dB and 18dB gain
\n\u2022 Sensitivity at 0dB Gain:<\/strong> f11 with 2160p59.94; f12 with 2160p50; at 2,000 lux with 89.9% reflectance; additional 1.1 stop light loss using 4K B4 mount
\n\u2022 Signal to Noise Ratio:<\/strong> 64.62dB for 2160p
\n\u2022 Ultra HD:<\/strong> Scaled from 5.3K<\/p>\n
\n\u2022 Focus:<\/strong> Focus button triggers auto focus when using compatible lenses with focus servo; Touch and hold on LCD determines focus region and triggers auto focus
\n\u2022 Iris Control:<\/strong> Iris wheel and touchscreen slider for manual iris adjustment; iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode; Scene average auto exposure in video and extended video mode<\/p>\n
\n\u2022 Screen Type:<\/strong> LCD capacitive touchscreen
\n\u2022 Controls:<\/strong> Touchscreen menus on 4 inch screen; Push buttons for other controls; 3 assignable shortcut keys; 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses<\/p>\n
\n\u2022 H.265 Resolutions & Frame Rates:<\/strong> 3840 x 2160 (Ultra HD) up to 60 fps (from Ultra HD window or scaled from 5.3K windowed sensor); 3840 x 2160 up to 50 fps (scaled from full sensor)
\n\u2022 H.264 Resolutions & Frame Rates:<\/strong> 1920 x 1080 (HD) up to 60 fps (scaled from Ultra HD or 5.3K windowed sensor); 1920 x 1080 up to 50 fps (scaled from full sensor)
\n\u2022 Blackmagic RAW Resolutions & Frame Rates:<\/strong> 6144 x 3456 (6K) up to 50 fps; 6144 x 2560 (6K 2.4:1) up to 60 fps; 5376 x 3024 (5.3K 16:9) up to 60 fps; 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps; 3840 x 2160 (Ultra HD) up to 60 fps; 1920 x 1080 (HD) up to 150 fps<\/p>\n
\n\u2022 Off-speed Frame Rates:<\/strong> Up to 60p in Ultra HD and up to 150p in HD<\/p>\n
\n\u2022 Timecode Clock:<\/strong> Highly accurate; Less than 1 frame drift every 8 hours<\/p>\n
\n\u2022 SDI Video Outputs:<\/strong> 1
\n\u2022 SDI Monitor Outputs:<\/strong> 1
\n\u2022 SDI Rates:<\/strong> 1.5G, 3G, 6G, 12G<\/p>\n
\n\u2022 Analog Audio Outputs:<\/strong> 1 x 3.5mm headphone jack (supports iPhone style headset for talkback)
\n\u2022 Reference Inputs:<\/strong> Tri-Sync \/ Black Burst \/ Timecode
\n\u2022 Lens Control:<\/strong> 1 x 12-pin Hirose Broadcast Lens Connector
\n\u2022 Remote Control:<\/strong> 1 x 2.5mm LANC (Rec Start\/Stop + Iris\/Focus control with compatible lenses)
\n\u2022 Computer Interface:<\/strong> 1 x USB-C 3.1 Gen 2 with power delivery (external recording + Focus\/Zoom Demand); 1 x USB-C for software updates<\/p>\n
\n\u2022 Built-in Speaker:<\/strong> 1 x mono speaker<\/p>\n
\n\u2022 Streaming Platforms:<\/strong> YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo<\/p>\n
\n\u2022 Ultra HD Video Standards:<\/strong> 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
\n\u2022 SDI Compliance:<\/strong> SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10
\n\u2022 SDI Audio Sampling:<\/strong> 48 kHz and 24 bit<\/p>\n
\n\u2022 Media Format:<\/strong> ExFAT (Windows\/Mac) or HFS+ (Mac)<\/p>\n
\n\u2022 Talkback:<\/strong> SDI Channels 15\/16 and iPhone headset
\n\u2022 Tally:<\/strong> Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder<\/p>\n
\n\u2022 Recording Modes:<\/strong> Standard record mode; Pre record mode (5 sec, 10 sec, 20 sec, 30 sec, 1 min, 2 min, 5 min, 10 min)<\/p>\n
\n\u2022 Storage Rates (30 fps):<\/strong> 6K 2.4:1 (6144 x 2560) BRAW 3:1 240 MB\/s; 5:1 144 MB\/s; 8:1 90 MB\/s; 12:1 60 MB\/s; Q0 180\u2013359 MB\/s; Q1 120\u2013287 MB\/s; Q3 80\u2013205 MB\/s; Q5 49\u2013120 MB\/s
\n\u2022 Storage Rates (30 fps):<\/strong> 5.3K 16:9 (5376 x 3024) BRAW 3:1 248 MB\/s; 5:1 149 MB\/s; 8:1 94 MB\/s; 12:1 63 MB\/s; Q0 186\u2013371 MB\/s; Q1 125\u2013297 MB\/s; Q3 84\u2013213 MB\/s; Q5 51\u2013125 MB\/s
\n\u2022 Storage Rates (30 fps):<\/strong> 3.7K 6:5 (3728 x 3104) BRAW 3:1 177 MB\/s; 5:1 106 MB\/s; 8:1 67 MB\/s; 12:1 45 MB\/s; Q0 133\u2013265 MB\/s; Q1 89\u2013212 MB\/s; Q3 60\u2013152 MB\/s; Q5 36\u201389 MB\/s<\/p>\n
\n\u2022 Blackmagic Cloud Compatibility:<\/strong> Blackmagic Cloud and clip sharing compatible with DaVinci Resolve 18.6 or later; Integrated login; Auto media upload; Manual clip sharing; Upload proxies only or originals + proxies<\/p>\n
\n\u2022 External Power Input:<\/strong> 1 x 4-pin XLR (mains\/battery); 1 x 12-pin Molex under rear battery plate
\n\u2022 Power Output:<\/strong> +12V 4-pin XLR regulated output (side); +12V D-Tap regulated output on VLock battery plate
\n\u2022 Power:<\/strong> Rear camera mount compatible with industry standard V-mount or gold mount battery plates<\/p>\n
\n\u2022 Storage Temperature:<\/strong> -20\u00b0 to 45\u00b0C (-4\u00b0 to 113\u00b0F)
\n\u2022 Relative Humidity:<\/strong> 0% to 90% non-condensing<\/p>\n","protected":false},"excerpt":{"rendered":"
\n\u2022 13 stops dynamic range + dual native ISO (0dB \/ 18dB gain)
\n\u2022 B4 mount installed + Active EF mount included (interchangeable)
\n\u2022 Records to CFast 2.0, SD UHS-II, or external USB-C drives
\n\u2022 ProRes, H.265, H.264 and Blackmagic RAW support
\n\u2022 Built-in ND filters (Clear \/ 2 \/ 4 \/ 6 stop) + 12G-SDI + XLR audio <\/p>\n","protected":false},"featured_media":14890,"template":"","meta":[],"product_brand":[111],"product_cat":[209,21,104],"product_tag":[],"class_list":{"0":"post-14889","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_brand-blackmagic-design","7":"product_cat-production-cameras","8":"product_cat-all-products","9":"product_cat-video","11":"first","12":"instock","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/product\/14889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/media\/14890"}],"wp:attachment":[{"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/media?parent=14889"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/product_brand?post=14889"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/product_cat?post=14889"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/singaporeproaudio.com\/php1\/wp-json\/wp\/v2\/product_tag?post=14889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}